Recently, a surprising admission was made by the MSM.
As shall be explained further, this stunning admission – published by one of the most prestigious, highly-esteemed, and most widely read American periodicals – completely undermines the sweeping “carbon footprint reduction” premise formulated by climate change activists and the revolutionary bureaucrats at the UN, those acting in zealous support of Agenda 2030 (formerly Agenda 21).
This admission, both in the form of a headlining article and a subsequent opinion-editorial piece, was published as recently as January of 2020, and appeared in “America’s newspaper of record”, the New York Times, and concerned the dubious phenomenon known as the “Population Bomb.”
For those unfamiliar with either the “Population Bomb” concept or the infamous book which portended a global famine due to an explosion of population growth, written by Stanford University professor Paul R. Ehrlich, both have been utilized to undergird the austere philosophy and shrill urgency of the climate change movement.
But as the New York Times has recently taken liberty to elucidate, the dire claims resulting from Professor Ehrlich’s tome have been left in a thorough shambles. Continue reading “NY Times admits “Population Bomb” theory false?”
Oftentimes, pop stars are not who you think they are.
In truth, the music industry represents perhaps one of the grandest psychological operations ever performed upon the unsuspecting public.
However, acquiring the ability to peer through this deeply woven veil is but the first step in comprehending the implications of the actor based reality.
To the owners and executive decision makers of the entertainment and music industries – maintaining the actor based reality translates to continued profits for their stockholders, and if the empirical evidence gathered through research for this installment is any firm indication, any talented, contractually bound performer, one who possesses the chameleon-like capability to assume various roles and demonstrates the ability to successfully perform in a number of musical genres represents great potential in becoming a profitable commodity.
Such was the case with one such genuinely talented performer – one who in three consecutive decades reached platinum renown multiple times performing under different pseudonyms, names that a majority of one’s loyal readers will undoubtedly recognize.
Get ready, folks, for yet another dizzying ride upon the roller coaster known as the actor based reality. Continue reading “Music industry monkeys pull cheap tricks”
One apologizes to those loyal visitors perhaps anticipating the third and final installment concerning the LA riots. Don’t despair, that is coming very soon, but in the meantime another topic of interest happened to suddenly capture one’s attentions.
The studio executive puppets in control of Hollywood on behalf of the ruling Jesuit royal families recently decided to memorialize and sear into the public’s memory yet another mythical tale – that of the alleged Israeli hostage crisis on the Ugandan coastal city of Entebbe during the mid 1970’s.
Though younger readers may certainly not be familiar with this event or its alleged details, the so-called ‘raid on Entebbe’ represented a bit of Tavistock composed psychological branding that helped introduce the terrorist meme to America and the world at large.
One must always be cognizant of the fact what is sold to the masses as “reality” is nothing more than a reflection of geometrically constructed illusions of sight, sound, colors, numerology, and neural linguistic programming.
As masters of these tools, the spell casting sorcerers of both the Hollywood cinema and television medium are the purveyors of grand illusions. Productions such as 2018’s “7 days in Entebbe” represent but one foundational brick applied to bolster and reinforce the pyramid of illusion perceived as reality in the callow and pliable minds of future generations now coming of age.
And judging from the results, a majority of the masses still choose to emotionally invest in whatever is sold to them – whether through Hollywood cinema or the television medium. Continue reading ““Entebbe raid” made in Hollywood, USA”