Yet another novel attraction has been brought into the carnival known as American politics.
Rest assured, though the American public has been repeatedly told of her glittering biographical backstory, “Kamala Harris” – recently named as the official running mate of democratic presidential nominee “Joe Biden” – is a phantom made to appear as material living color, a popular image created for the grand theatrical stage which we have come to recognize as the phenomenon of Post-Modern Reality Simulation.
Yes, folks, “Kamala” is a fabricated character scheme currently portrayed by a Hollywood actress, one who has co-starred in cinematic productions with the likes of Liam Neeson, Leonardo di Caprio, and the Jesuit trained (Fordham University) Denzel Washington.
Furthermore, there exists circumstantial evidence, her political character’s pseudonym was drawn from, or, perhaps, was inspired by the name of a fictional movie character portrayed by a child actor who, in 2019, co-starred with Kamala Harris’s host actor.
Though the “official” biographies of “Kamala Harris” tell us her racial profile derives from Indian and African-American emanations, these details have merely been scripted and tailormade for a fabricated character scheme.
In fact, as shall be proved – like Barack Obama (AKA Jerry Seinfeld) – the biographical racial profile attributed to the fabricated characterization(s) of “Kamala Harris” is fraudulent, a cynical manipulation which was designed for the purpose of political image making.
The practice of “Behavioral Science” is perpetuating the Covid-19 “pandemic”.
As has been suspected, the perpetrators of this psychological operation are attempting to “nudge” the public towards adopting new behaviors and perceptions.
In fact, as the British public is most likely unaware, the Prime Minister, Boris Johnson, has employed the services of BIT (Behavioral Insights Team) – also known as a “Nudge Unit” – to help manage public perceptions regarding the Covid-19 psychological operation.
According to an article, published at Spiked-online.com, contrary to the British government’s insistence its decisions, throughout the “coronavirus crisis”, have been guided by ‘the science’, it turns out, this isn’t the only science the Prime Minister has at his ready disposal.
In another bit of news related to the Covid-19 psychological operation, but, left unsurprisingly unreported by the MSM, it has been discovered that, prior to the coronavirus’s “outbreak” in China and in the US, the Bank of International Settlements issued “pandemic insurance bonds”.
Yes, folks, as suspected, the sole impetus behind the C-19 psychological operation was financial in nature, and had nothing to do with protecting the safety, health, and welfare of the general public.
No, rather, the thirteen ruling elite Jesuit families and their conspirators well-planned in advance to profit from the prospective deaths of millions of human resources.
The story behind such intriguing details, and much more, shall be expounded upon in a following installment, coming very soon.
But before further delving more deeply into the “Nudge Unit” of behavioral scientists at BIT and the covert financial chicanery of the Crown Temple-controlled Bank of International Settlements, yet another well-publicized MSM “story” has emerged and, this time, involving the US military and the “disappearance” and alleged “murder” of US army soldier, “Vanessa Guillen”.
The coronavirus psychological operation is a grand masonic ritual to initiate everyone, while employing the most sinister methods of psychological coercion and manipulation, into becoming a dedicated member of the Templar/Jesuit/Masonic global cult.
Though the MSM will never report it, “Covid” is an anagram for Certificate of Vaccination Identification.
Covid-19 is a code derived from those at the highest levels of the military/industrial complex for a global Marshall Law exercise.
As we’ve learned, who else but those at the highest levels of the triumvirate Templar/Jesuit/Masonic global cult not only cherish the use of semantics as a tool of deception, but also thrive on the pageantry and grandeur of elaborate ritual initiations?
Only this time, the outrageous behavior of sycophantic public officials is signaling to those of the general public they have no choice but to comply and submit to participating in this grand masonic ritual.
The thirteen families have employed their vast media organs and, augmented by baseless threats of arrest from thuggish legions of masonic police guilds, are attempting to force mass compliance with a globally promulgated advisory public health opinion, the legality of which, while only made to appear legal with the public’s conspicuous consent, is backed by nothing other than blatant acts of psychological coercion, emotion driven propaganda, and crude intimidation.
The donning of masks and gloves mirrors the ritualistic garb of high-degree freemasonic ceremonies and rituals, while the ‘washing of hands’ represents a psychological cleansing; a spiritual transcendence from death to resurrection and, finally, to rebirth.
This is a symbolic transcendence which is necessary, for those who partake in the masonic ritual, to become reborn into a new spiritual perception of not only themselves but of their place in the new order of global affairs.
Recently, we have observed yet another key actor appearing on the global stage.
“Doctor Deborah Birx” now stands before the American general public to assume her role as the ritualistic master of ceremonies, and to remind all and sundry of their duties and roles as the grand masonic ceremony progresses to its final culmination.
The appearance of Birx symbolically represents the emergence of Isis, the feminine energy of the Triple Goddess.
She is also a symbolic representation of the high masonic priestess; the nurturing earth mother, guiding the masses of new initiates as each prepares to transcend the death of old identities and readies to embrace a symbolic rebirth into the new age of Aquarius.
One presumes, Birx is well-aware of her occulted role, due to one simple fact: her host actor is a close family relation of a celebrated Wiccan high-priestess; one who is both a high-ranking initiate into the masonic order of the Eastern Star and a European princess in disguise.
Turns out folks, the host actor identified as “Doctor Deborah Birx” is not only well-familiar to us, she is the daughter-in-law of one of Hollywood’s most esteemed, accomplished, and award-winning actresses — Shirley McClain — the sister of Hollywood actor/director Warren Beatty AKA former US president Richard “Tricky Dick” Nixon.
While everyone watches the following performance of “Doctor Deborah Birx”, one suspects there are some, if not many, who will begin to recognize, while paying especial attention to the particular qualities of her voice, mannerisms, and facial geometry, that Doctor Birx resembles a certain former democratic presidential candidate and senator from the state of Massachusetts.
But the stunning discoveries don’t end there.
Another video clip, excerpted from a popular BBC television production, features an eerie example of predictive programming which foreshadowed the coronavirus’s global psychological operation.
The latest debacle concerning the aborted joint US-Russian Soyuz mission to the orbital ISS exists as a prime case in point. The tortured explanations from so-called NASA officials, particularly from Canadian-NASA astronaut Chris Hadfield as to what specifically went wrong, exist as prime evidence to anyone with a pair of brain cells still functioning that something is indeed amiss.
Time and again, whenever one observes some of the numerous videos available from blatant apologists on You Tube concerning the general subject matter of NASA, one is struck with the rather distinct and overwhelming impression one has witnessed what can only be described as the most egregious brand of propaganda.
As for NASA’s vaunted high-level officials or celebrity mouthpieces, one cannot help but feel they’ve been confronted with evil hosts of the most shameless but well-trained professional prevaricators.
Of course folks, such persons belong to a very distinct personality type, those of the sort would stoop to any justification in maintaining the company line, no matter how ridiculous or implausible.
If what follows in this installment concerning America’s foremost space agency does not serve to give even the most hardcore apologists pause, then suffice to say, there exists no argument that could serve to cajole or convince, no matter how articulately expressed, that NASA is nothing more than a propaganda arm of the US corporation. Continue reading “NASA scam is tax payer black hole (Part X)”→
From heavy metal pioneer to reality television star, rock’s “prince of darkness”, Ozzy Osbourne, has always been one of rock and pop music’s most legendary eccentrics.
Having enjoyed a stellar career’s notoriety spanning several decades, perhaps more than any other star in the history of the popular music recording industry, Osbourne’s exceedingly outlandish image has come to represent rebellion incarnate to his millions of adoring fans worldwide.
Though it is claimed Osbourne’s career has time and again been plagued by drug and alcohol abuse and other wild mishaps, he has not only managed to survive, but his unorthodox, platinum-selling career has managed to somehow flourish.
However, as with other stars of stage and screen, is there any credence still to be given to the wild stories one finds coloring Mr. Osbourne’s biographical history?
Despite the fact his millions of adoring fans are willing to adamantly testify to the truthfulness of the rock legend’s unprecedented exploits, can one still dare to question their veracity? Or, as loyal readers have so often observed concerning the biographies of other celebrity careers examined here at Newsspell, is there something truly awry with the man known as Ozzy?
Comparatively speaking, this installment shall qualify as lighter fare to one’s loyal readers.
The author is cognizant some regular visitors may not remember the subject of this installment or perhaps never had the opportunity to view the classic show that brought this particular actor to public prominence. During the 1960’s, the late veteran Hollywood character actor, Johnathan Harris, added what was perhaps the only saving grace or entertainment value to an otherwise short-lived and pathetically juvenile science fiction and fantasy television series, entitled “Lost in Space”.
Although over the course of his career, Harris compiled an impressive resume, starring on Broadway and on the silver screen from decades before, it wasn’t until he assumed the iconic television role of Lost in Space’s Doctor Zachary Smith, the villainous scoundrel with a heart of gold, that he gained celebrated renown and became a recognizable celebrity.
But, Harris was hiding a secret, and as an accomplished man of the theater prior to working in the medium of television, he had certainly learned all the necessary tricks of the theater’s trade in creating inscrutable masks for an array of characters.
The persona of Jonathan Harris, those eccentric affectations that became synonymous with the man who allegedly grew up in the Bronx, New York, but nonetheless rose to fame and fortune in the theater and then on to starring on American television, were nothing more than purposefully created theatrical flourishes.
Indeed, Harris was yet another example of a celebrated actor hiding behind a well-crafted mask.
As it turns out, however, in the case of Harris, one speculates he harbored personal reasons in choosing to adopt a pseudonym while starring as the incomparable Doctor Zachary Smith.
Well, folks, how the once so mighty have indeed fallen.
Or, has he indeed?
It would appear to be so, at least to the American masses huddled around their television screens to watch a once vaunted television and entertainment icon pummeled to the ground and unceremoniously dragged through the media mud pile.
But, for those loyal readers of Newsspell, you know differently, don’t you?
By now, one’s loyal readers have become truly wise in keen discernment, enough to never bother wasting misspent scorn upon a poor actor posed as a convicted perpetrator. On the other hand, one’s loyal readers are also wise in never bothering to shed copious tears for those actors posed as indignant accusers and alleged victims. Because, quite simply, they are all frauds, hopelessly prostituted in playing out their role in the scripted clown show produced by their ungrateful, psychopathic and insidious masters, the thirteen, ruling elite families.
Yes, folks, we know the truth.
The fall of Bill Cosby AKA Doctor Huxtable is yet another cruel hoax, a bogus sham, another media manufactured sink hole of a psychological operation.
What follows, shall undoubtedly register as a very controversial and unpopular stance. Nevertheless, the truth has no regard for political correctness, nor does it heed the results of popular opinion polls, which are undoubtedly skewed and distorted by hosts of computer programmers, instructed to formulate their phony statistics to fit the prevailing agenda of the ruling elite families, who play the media and the American public, better and more skillfully than Liberace striking the keys of a concert tuned Steinway.
In this case, the hoopla over the Cosby imbroglio, like the concocted scandal involving Harvey Weinstein, was manufactured by CIA Mockingbird counter-intelligence agents and Jesuit trained media destabilization agitators, all to benefit the advancement of the #Metoo movement, which is financed by our old friends, America’s premiere merchant banking family, the Rockefellers and their Rockefeller Foundation.
Once again, the author would like to express his sincere gratitude to the latest followers. Certainly, you shall find the material here at Newsspell to be unlike anything encountered before or at the very least, you shall find it to be a diversionary, but thought provoking entertainment.
Also, one would like to thank all those loyal readers who may have endeavored to recently purchase science fiction/fantasy thriller Twilight’s Last Glory, and helped to make it an Amazon #1 Hot New Release and achieve a sales ranking of #2,300 overall during its initial kindle launch on September 1. For those who enjoy the author’s writing here at Newsspell, one is proud to inform that Twilight’s Last Glory will very soon be made available in paperback and hardcover format at both Amazon and Barnes and Noble.
At any rate, one shall dispense with further vain self-promotion and attend to the matter at hand!
Inarguably, among the spate of pop music stars that shined during the 1980’s glittering age of rampant materialism, the “Material Girl”, Madonna, was perhaps the most luminous.
But, she was not who she appeared to be.
However, should loyal readers find it so surprising the pop star known to millions of adoring fans as Madonna, may have been hiding something?
Perhaps not, but then again, upon discovering the true identity of the woman behind the concealing mask, one discovered new and shocking vistas into the identities of other more recent pop stars. Turns out, folks, the unveiling of Madonna’s true identity represents a virtual treasure trove of Hollywood nepotism going back several generations.
Although this instalment shall primarily deal with the career and life of the so-called Material Girl, one is left with the distinct impression its implications represent yet another fascinating sojourn down into the deepest of dark and mysterious Hollywood rabbit holes. Continue reading “Real deal about 80’s “Material Girl” (Part I)”→
I deeply apologize in advance to loyal readers who may have expected the delivery of this final installment involving the life and career of the late Kurt Cobain much sooner. But preparations for the publication of the author’s new book, Twilight’s Last Glory, have kept one preoccupied.
Also, the author would like to extend his sincere gratitude to all those who have recently and graciously decided to follow Newsspell.
No doubt, you will find what is published here to be thought provoking, informative, and perhaps at the very least, entertaining.
Since time immemorial, humans have harbored a macabre fascination with the concept of death, and the mere contemplation of it seems to overwhelmingly elicit both fear and awe. Whether through literature, movies, or television – when presented with death’s mysterious inscrutability – humans are brought to the edge of life’s precipice and forced to contemplate the valley of death’s dark depths.
Faced with uncertainty’s anguish, one finds the comforting sight of one’s religious edifices pulverized to dust, scattered like ghostly trails of wind-blown fall leaves, and achieving ultimate absolution becomes tantamount to grasping evergreen spring’s morning mist.
And yet, nothing, comparative to the contemplation of death’s mystery remains more intoxicating to the worshipful masses eternally drawn to stories that feature the mortal, but manufactured misfortune of mythical heroes, for only in death can such storybook heroes achieve legendary immortality.
That is why myths and legends of dead heroes endure, for although penetrating discussion of such may remain largely unspoken, nothing save death’s insatiable fixation for those struggling in quiet futility causes one to feel more alive.
Repetitive tales of the death of heroes also causes the masses to look for an escape from their sorrow through material acquisition, which benefits no one except the merchants, bankers, and the thirteen, ruling elite Jesuit families. As one will soon observe, the concept of death, or the flirtation with death, figured prominently with most of the famous pop culture characters this highly skilled host actor portrayed.
Though the author’s shocking and even incredible conclusions for this installment will no doubt invite incredulity, and perhaps even scorn and ridicule from newcomers and loyal readers alike, keep in mind that almost anything is possible in Hollywood’s magic land of Oz.
Yes it’s true folks, not only was Kurt Cobain a pop music character created by our old friend, Hollywood mogul David Geffen, the son of Barry Diller AKA Prince Eduard von Furstenberg, but Cobain’s host actor portrayed other famous Hollywood actors and musical performers (and not always belonging to the same gender!) some of whom also met with a suitably tragic, but scripted end. Continue reading “Suicide of teen spirit smells like a hoax (part II)”→