Meathead Al Gore Robs America Blind

Meathead Al Gore Robs America Blind

It has become rather amusing to note that recently, some of those historical characters identified here at Newsspell as actors in history’s grand stage play (George H.W. Bush AKA Brian Williams and Burt Reynolds AKA Marlon Brando/Vladimir Putin, for example) have been summarily shuffled off the scene.

Spawning still greater amusement, is the observation that those employed by the corporate MSM are giving themselves hernias while attempting to hoist Poppy’s phony edifice into the pantheon of historical and presidential greatness.

Try as they might, however, they seem to be failing miserably.

Which presently, brings us to yet another pair of media created presidential thespians.

Former US president Bill Clinton may have been known as “Slick Willy”, but it turns out folks, his VP, Al Gore, should have been fixed with the nickname of “Meathead”.

Although one has exposed the true identities of some of America’s oval office occupants before, the Clinton administration featured not just one actor, but two.

This installment shall serve as yet another critical indictment of America’s democratic façade. The so-called “freely elected” government of the US corporation consists of nothing more than a charade of pseudonyms and theatrical gestures. It is a grand masquerade, designed to superficially appear as democratic governance, when from the perspective of practical truth, as one shall soon effectively demonstrate, the genuine nature of the executive branch of the US corporate government is ceremonially theatrical in practice.

Oh, and as an especial added bonus for one’s loyal readers and  visitors, one has discovered yet another member of the classic pop/rock group the Monkeys who not only performed as a lead vocalist with another classic rock band perceived to have a greater degree of “street credibility”, but was discovered to have participated in the Trevon Martin psychological operation back in 2012 while posing as the accused perpetrator’s legal council.
Continue reading “Meathead Al Gore Robs America Blind”

Rock and Roll’s Blair Witch Superstar

Rock and Roll’s Blair Witch Superstar

At the risk of sounding presumptuous, this installment shall attempt to blow the myths surrounding the music and entertainment industries into utter splinters.

In the past, one has discovered the biographies of the past’s music industry icons to have been completely fabricated in a grand effort to completely conceal the industry’s rampant nepotism.

The result’s of one’s further research shall attempt to divulge the true extent to which nepotism has fouled the music and entertainment industries, dispelling the myth the concepts of fame and renown are predicated on the merits of diligence, persistence, and talent alone.

Most, if not all of the classic rock stars of the past were sons and daughters of the rich and powerful, those with genealogical ties to the thirteen, ruling elite Jesuit families whose monopoly chokehold on the music and entertainment industries of the West remains unbroken to this day.

Perhaps more remarkably, there are clear indications that, when it comes to the genuine phenomenon of the actor based reality, there exist overlapping connections between the professional fields of politics and the music and entertainment industries, in so far as several of those iconic Hollywood figures examined in the past, have also served as the host actors that portrayed some of American history’s most heralded and mythical figures. And, in the true spirit of a family affair, there is every indication several of their offspring have also served as host actors for many of the most revered entertainment personalities.

First however, one shall examine the career of a child actor who appeared in what would become one of Hollywood’s most recognizable and iconic examples of classic horror cinema, the Exorcist. When loyal readers learn of just who this actor truly is and, learn of her true genealogical ties, the effect of such a revelation shall surely be nothing less than- pardon the crude pun – positively head spinning.

Before loyal readers continue on though, one shall provide just the faintest hint: Linda Blair is the hidden daughter of Shirley McClain (McClain is known to be a practicing Wiccan or modern-day witch), and the hidden niece of the host actor currently portraying the role of a US senator from Massachusetts married to an iconic Hollywood actor who is not only McClain’s brother, but formerly portrayed disgraced US president and Rockefeller puppet, Richard M. Nixon.

More than this though, one shall also demonstrate a connection between Linda Blair and a late-night talk show host, the JFK assassination and three of rock and pop music’s most iconic acts.

Impossible, you say?

Well, one shall attempt to demonstrate, this grand connection heads right to the doorstep of the one of the world’s most prominent merchant banking families, the Rothschilds.
Continue reading “Rock and Roll’s Blair Witch Superstar”

Marlon Brando: Godfather of Hollywood chameleons? (Part II)

Marlon Brando: Godfather of Hollywood chameleons? (Part II)

Before delving into this installment’s main topic, one would like to address the most recent spate of propaganda proffered by the MSM regarding the alleged forest fires in California. This event happens to tie-in with one’s research into Marlon Brando which in turn, led straight to the family of America’s most powerful merchant bankers, the Rockefellers.

Therefore, in accurately casting a single proverbial stone, as it were, one shall proceed in killing a pair of very suspect fowls.

Like everything broadcasted by the MSM, the recent fires occurring near Thousand Oaks, in remote Paradise, California, represented yet another psychological operation’s dramatic illustration, purely designed to serve an overarching agenda.

That the so-called journalists employed by the MSM are nothing more than purveyors of government spun propaganda should not, at this juncture, come as a surprise to one’s loyal readers, nor to anyone with at least a miniscule portion of either brain’s hemisphere still critically functioning.

However, it is not so much what the MSM reports that remains particularly noteworthy.

Rather, like California’s governor Jerry Brown, what is noteworthy is how often they lie by omission. Unfortunately however, such a sinister practice has always served as standard procedure for those serving in any official government capacity. Avoiding specifics allows, both legally and politically, for a great measure of plausible deniability. Framing the issues in vague generalities also facilitates the ability to either spin, misdirect, or further obfuscate when expedient.

Before moving on to Mister Brando AKA Burt Reynolds, the first portion of this installment shall include footage from the California governor’s recent press conference and, a brief analysis of what he may have unwittingly implied regarding the state’s response to the forest fires.

Needless to say, as with most politicians, when it comes to digging out the kernels of truth from their waste heaps of political propaganda, one must never be found reticent in choosing to sully one’s metaphorical hands. One shall also take note, that during the press conference, California governor Jerry Brown speaks in the vaguest of generalities. However, in doing so, he nonetheless manages to completely give the game away when, several times, he obliquely alludes to specifics relating to population control methodologies enumerated within the UN’s globally mandated Agenda 21.

As for the main topic of this installment, it turns out the theme of a Hollywood movie production from the 1970’s, in which Burt Reynolds AKA Marlon Brando starred, happens to exist as one of the earliest examples of predictive programming for the future public onslaught of Agenda 21 propaganda. This is a globally mandated agenda which has a connection to the Rockefellers, America’s prominent family of seemingly ubiquitous merchant bankers.

More than this, one shall endeavor to definitively demonstrate that one of Brando’s fellow cast members in this Hollywood production also has a surprisingly direct connection to Hollywood icon, Jack Nicholson. Continue reading “Marlon Brando: Godfather of Hollywood chameleons? (Part II)”

Marlon Brando: Godfather of Hollywood chameleons?

Marlon Brando: Godfather of Hollywood chameleons?

Why do so many so desperately wish to be entertained?

What grand appeal is there for those content to live and die vicariously through celluloid heroes while like children, they sit sheltered in the dark from the dangers of the outside world, in utter thrall before the imaginary, but comforting world of the silver screen?

Could it be, the darkness of the theater serves as a welcomed reprieve, perhaps even a psychological womb for those anonymously huddled together in desperate escape, while collectively hoping the light shed upon them from the mammoth silver screen will bring order to the world they’ve been conditioned to perceive as cold, unforgiving, and unpredictably chaotic?

The celebrity icons featured upon the silver screen – whether cast in the roles of heroes or villains – become worshipful, iconic vessels, mirror-like images upon which the masses project generalized idealizations, consisting of their fearful insecurities or perceivable virtues.

Marlon Brando represented one such icon who, for decades, generations of movie critics and audiences held in the highest esteem. Nevertheless, is it possible the name Marlon Brando was yet another pseudonym created to mask Hollywood’s rampant nepotism?

This installment shall connect this Hollywood legend with another actor and television star alleged to have recently died and with the current Russian Premiere, Vladimir Putin.

Stay tuned, folks. Continue reading “Marlon Brando: Godfather of Hollywood chameleons?”

History’s story of “Honest Abe” fiction? (part II)

History’s story of “Honest Abe” fiction? (part II)

Rewriting history may seem like a rather quixotic notion.

After all, one doesn’t lack understanding as to why creating such blatant contradictions to that body of historical knowledge in which generations of American public school students have been psychologically conditioned to unquestioningly believe, would largely be perceived as foolhardy, perhaps even absurd.

Or – does applying critical thought and analysis in questioning the bedrock tenets of American history seem absurd only because its veracity has largely been held on purely faith alone?

Is it that the myth of America’s sixteenth president, Abraham Lincoln, seems so seductively indelible only because – rather than reflecting a truthful and verifiable historical account –  the historical narrative associated with that particular historical figure was designed to reflect and even exalt those higher virtues the American nation would like to believe it inherently embodies?

The obvious question remains: how can such mythical historical narratives, based wholly upon lies, withstand truth’s penetrating probe of critical analysis?

The answer: they can’t and they won’t.

That is why critical thought and analysis regarding America’s historical narratives are eschewed and even scorned by the social conditioning and indoctrination methods that have been assiduously utilized on generations of American public school students.

Therefore, as loyal readers shall soon discover, when put to any modicum of critical analysis, the alleged assassination of Abraham Lincoln represents a fraudulent historical narrative that was designed to create the indelible image of a mythical and heroic martyr, rather than an accurate, verifiable and chronological portrayal of an historical event capable of withstanding analytical scrutiny. Continue reading “History’s story of “Honest Abe” fiction? (part II)”

Is it live or is it Milli Vanilli?

Is it live or is it Milli Vanilli?

Are you a music fan?

If so, have you ever paid top dollar to attend a live performance from your favorite artist, only to later discover that live performance may not have been well, live?

Did you become angry, or like most, were you merely happy to have been entertained?

What if, to confound matters, you were to learn your favorite popular music recording artist wasn’t who they claimed to be?

While your contemplating, how does this play into the larger question of the simulated nature of the actor based reality and, are there larger implications at play – is humanity being conditioned to accept, and even prefer the presence of a simulated reality in lieu of what is perceived to be organic?

To many throughout the generations, pop culture and pop music have come to represent insatiable opiates. Though many would no doubt dismiss the very notion, pop music stars and pop culture icons have also come to represent sacred images, similar to the high esteem once held toward cherished religious relics of ages past.

Indeed, it remains difficult for many to find fault with any of their chosen pop culture icons, even when they are confronted with the awful truth while their majestic emperors stand before them, unceremoniously disrobed.

This psychological phenomenon deliberately exploits the primal urge to imagine that one can become part of something larger than oneself, even if that primal connection exists as a simulated substitute for genuine human intimacy.

However, further and more penetrating analysis of that phenomenon one fears, at least for now, would be venturing too far afield and perhaps beyond the intended scope of this installment.

Nevertheless, loyal readers shall soon learn, the phenomenon of lip syncing associated with the world of pop and even rock music has become virtually all-pervasive.

No folks, lip syncing isn’t just for the likes of Milli Vanilli or Madonna anymore.

However, don’t be dismayed, for loyal readers should be content to learn this installment does not intend to primarily concern itself with merely an analysis of this music industry phenomenon.

The fact is, folks, the phenomenon of performance miming or as it is more popularly known, lip syncing, has existed for decades, long before Milli Vanilli, Madonna, and hosts of other popular artists had been cited as guilty practitioners.

In fact, after briefly dispensing with the lip syncing phenomenon and why it continues to be so prevalent, one shall proceed to definitively identify a pair of popular music recording artists who have successfully portrayed multiple pop music icons over a period of decades.

One of these is a well-respected guitarist and former member of a high-profile pop act who, as it turns out, also has a connection with the Charles Manson simulated serial murder hoax of the 1960’s.

Continue reading “Is it live or is it Milli Vanilli?”

History’s story of “Honest Abe” fiction? (Part I)

History’s story of “Honest Abe” fiction? (Part I)

This blog is fast becoming a historical killing field, filled with the slaughtered carcasses of American history’s sacred cows. And now, one shall usher perhaps the most sacred of them all into the paddock – Abraham Lincoln – the “Illinois rail-splitter”, masonic puppet, actor, and yes folks, a total fiction.

The official, mainstream history of America one encounters in public school and university texts is indeed a blatant fiction, designed to exalt the truthful virtues of dramatic accounts and mythical characters, all of which have been entirely fabricated to induce the masses’ psychological and emotional investment into believing – so it seems in the case of Abraham Lincoln – completely and utterly fictitious absurdities.

For the span of almost two centuries now, the mythical story of Abraham Lincoln has echoed down to the present time as an almost sacred, gospel-like tradition and, anyone daring to question its historical veracity has been summarily labeled a heretic or even worse, branded with the all-purpose, ad hominem pejorative: “conspiracy theorist.”

Thus, the unorthodox perspectives, opinions, and discussions discovered here at Newsspell must be considered quite heretical indeed. Surely, anyone thinking of  subscribing to such heretical musings deserves the most ghastly, painful persecution while tortuously hoisted upon burning stakes.

Well then, so be it.

By way of comparison, the comically anomalous nature of the alleged Lincoln assassination story makes the JFK assassination tale, concocted nearly a century later, appear to be a rather rational chronological documentation of plausible events.

This comparison to the JFK assassination simulated crisis is particularly apt, because it appears that once again, Rockefeller family members had collectively participated in perpetrating yet another grand historical hoax. Continue reading “History’s story of “Honest Abe” fiction? (Part I)”