Have you ever observed a familiar face, and though perhaps at first it may have been difficult to accurately place, further examination of the facial geometry proved fruitful?
Such became the case with the identity of the latest “hero” heralded by the MSM – “Abdul Aziz”.
Turns out folks, you’ve seen “Abdul” in action before, and posed in the role of another heroic figure.
Does the following image appear familiar?
That’s right, folks, the image displayed above is from a mass casualty event back on April 15, 2013 (a total of 2,160 days between the event in Christchurch/9/6 occult mirrored reversal/33/high-degree Scottish Rite Freemasonry) that came to be known as the “Boston Bombing”, and the man observed in the foregournd of the image, Carlos Arrendondo – the man donned in the ten gallon cowboy hat – was heralded by the MSM as the “hero” of the day.
Would it surprise one’s loyal readers to learn that “Carlos” AKA “Abdul” was also heralded as the “hero” by the MSM after the latest mass casualty event staged in Christchurch, New Zealand?
What shall soon be revealed is the genuine identity of “Carlos” or “Abdul”, the host actor behind the mask of the character, an actor and entertainer well-known to fans of 1970’s classic rock and pop music the world over. Continue reading “Is Christchurch’s “Abdul Aziz” A Familiar “Hero”?”
Coming up very soon after this installment, loyal readers will not want to miss the results of the author’s investigation into the most recent mass casualty event in Christchurch, New Zealand (Christchurch/Christ consciousness/CC=33/high-degree Scottish Rite Freemasonry/sums to 138 in English Ordinal gematria/12/21/777/ intelligence joker code).
Guaranteed, that installment shall prove to be filled with shocking revelations left unconsidered by other alternative news researchers, most of whom are insipidly labeling the event as either a “false flag” or have inexplicably decided to invest credulity into some aspects of the “official” narrative spun by the MSM media sorcerers.
As one’s loyal readers have come to learn, many of the biggest stars of stage and screen – both past and present – are not at all who they claim.
In a uniquely post-modern sense, each is a willful participant in a CGI-driven conversion scheme of deliberate identity fraud and, in many cases – due in part through both contractual obligation and genealogical relations – are strategically utilized to not only garner perpetual profit streams for their Templar/Jesuit/Masonic masters, but to bring forth the sinister and often perverse social and political goals of the thirteen ruling elite families who have long monopolized the entertainment industry.
The subject of this installment, while she no doubt still represents a cornerstone of 21st century Western pop culture, is a fraud with links to not only the monolithic mainstay of the corporate industrial/entertainment complex, Disney, but links to Hollywood executive titan, David Geffen, and the royal European House of von Furstenberg. Continue reading “Kim Kardashian: Behind The Hollywood Mask”
Moving forward from the dawn of the early 20th century, the establishment of Hollywood’s illusion factory created what came to be known as the American Dream, a mass distributed display of dazzling images that usurped any attempt made at an objective material perception of the genuine America.
One remains hopeful, however, that while a majority still remain in thrall to Hollywood’s spell-casting visions, that the information discovered here at Newsspell will continue to utterly grind such grand monuments as have been erected upon the foundation of the public’s mind to wind-blown dust.
Country and Western music star Willie Nelson has always been known as an “outlaw”, the celebrated culmination of a stellar but unorthodox entertainment career, a man who brawled his way to fame and fortune and, in the mythical vein of Frank Sinatra, did it his way.
The following information provided in this installment however, shall surely dispel any such mythical notions, demonstrating that Nelson’s reputation as an “outlaw” is yet another Hollywood concocted superficiality designed to generate profits rather than reflect any genuine iconoclasm. Continue reading “Shotgun Willie Goes Down in Flames”
This installment shall prove, once and for all, the three branches of the US corporate government established by its constitution are holographic structures designed to perform nothing more than theatrical gestures.
Though American history texts herald the US constitution as a living testament to America’s “freedom”, in truth, it replaced the Articles of Confederation, which did not make provisions for a central banking concern, and resulted from legal negotiations between sworn Esquires of the Crown Temple – who were also holders of allodial land titles in the American colonies – and King George III, who while acting under the guise of first American president “George Washington”, was an agent of London’s Crown Temple.
The following information shall not only serve to expose yet another renowned and award-winning Hollywood actor in the role of a Supreme Court Justice, but further explain what specific government agencies, in cooperation with London’s Crown Temple and the Vatican, are really in control of the US corporation, rendering the three branches of government you may have learned about in public school’s civics class superfluous.
Indeed, Sandra Day O’Connor’s presence on the land’s highest court was merely a symbolic gesture, and as shall be demonstrated, those legal decisions that become reported as landmark templates of the American judicial system are not truly decided by the Justices sitting on the bench in Washington D.C., but in New York, which is licensed to be the prime legal franchise for the Inner Temple of the Crown in London, where all of the legal principals, judges, et al., are legal representatives called to the Bar of the Crown’s Middle Temple.
As for “Justice” Sandra Day O’Connor, she was yet another fabricated historical character portrayed by an esteemed Hollywood host actor – a name with which loyal readers are likely already familiar. Continue reading ““Justice” Sandra Day’s Supreme Con Job”
Many still refuse to believe that politics in the West is just as fraudulent and scripted as the spectacle of professional wrestling. Perhaps the empirical evidence presented in this installment shall persuade those among the throngs of doubters and naysayers to at last reconsider.
Considering the growing majority of those in the West and in America, and to those who perhaps for the first time, are growing increasingly aware of those methodologies utilized by the mainstream media to manipulate the opinions, behavior and perceptions of the general public, hope, as they say, is beginning to spring eternal.
Given there seems to be a growing awareness of the actor based reality, would you now believe that one of professional wrestling’s most high-profile performers was also a noted and well-respected politician, and that prior to his career as “Hollywood Hulk Hogan”, this actor starred in the lead role of a very popular television network crime-drama series during the era of the 1980’s?
Subsequent to all of these varied careers, the host actor of such high-profile celebrity characters also assumed the role of Bernard Kerik, the police commissioner of New York City during the era of September 11, 2001, who later of course, fell under scrutiny and – in a show of legal theatricality – was thoroughly disgraced.
Continue reading “Hollywood Hulk Hogan’s Magnum Loaded Illusion”
Historically, the tragic death of rock stars has served as a morbid fascination to the general public and to rabid popular music fans. Therefore, such stories have been and are routinely exploited by the mainstream media cartels simply because such macabre narratives play upon the general public’s subconscious fears and inherent fascination with the dark mysteries of the unknown.
When such morbid narratives – in connection to a popular music or movie star – are concocted with an admixture of mystery, suspense, and melodrama, they create an instantly profitable and titillating myth which can be repeatedly exploited for garish profits. However that may be, once the superficial and emotive details of all such celebrity narratives have been breached by penetrative analysis, they are exposed and laid bare for what they truly are, which are merely profit driven vehicles formulated from a nearly bottomless well of cynical and ulterior motivations.
Primarily, in every such case of celebrated tragedies subject to objective and historical analysis, these are always found to be based on the mythical template of the legendary martyrdom of Christ created by Kabbalistic Freemason scholars.
Though this may offend the delicate sensibilities of some, one would urge putting aside reactionary and conditioned emotive responses – if at all possible – to objectively and dispassionately consider the following analysis.
Perhaps to stimulate some suspense for one’s loyal readers, the “late” Chris Cornell’s host actor is the son of one of Hollywood’s most legendary icons of the silver screen, and he has portrayed other renowned figures in not only the music and entertainment industries, but he has also portrayed a former British Prime Minister and – in addition to being both an incomparably versatile performer – he was featured in a very recent installment here at Newsspell.
Continue reading “Chris Cornell’s Jesus Christ Death Pose”
This installment shall present a unique – if not wholly controversial – perspective on what has been the MSM’s major news story for several weeks now.
Rather than an analysis of what MSM has reported regarding the Jussie Smollet cause celebre, one shall attempt to detail what the major, corporate owned media outlets, along with their regional affiliates, including those “researchers” among the so-called alternative media, will always ensure remains concealed.
Don’t forget folks, those major figures in the “alternative media” are merely the MSM marketed in a different disguise.
Those who qualify as newly arrived visitors here at Newsspell shall surely discover what one’s loyal readers already know: the author’s research is never encumbered by the psychological shackles of socially accepted paradigms or perceptions, nor shall the author ever be swayed by that pernicious and soul destroying concept known as “political correctness”. Continue reading “Jussie Smollet: What MSM Isn’t Reporting”