Moving forward from the dawn of the early 20th century, the establishment of Hollywood’s illusion factory created what came to be known as the American Dream, a mass distributed display of dazzling images that usurped any attempt made at an objective material perception of the genuine America.

One remains hopeful, however, that while a majority still remain in thrall to Hollywood’s spell-casting visions, that the information discovered here at Newsspell will continue to utterly grind such grand monuments as have been erected upon the foundation of the public’s mind to wind-blown dust.

Country and Western music star Willie Nelson has always been known as an “outlaw”, the celebrated culmination of a stellar but unorthodox entertainment career, a man who brawled his way to fame and fortune and, in the mythical vein of Frank Sinatra, did it his way.

The following information provided in this installment however, shall surely dispel any such mythical notions, demonstrating that Nelson’s reputation as an “outlaw” is yet another Hollywood concocted superficiality designed to generate profits rather than reflect any genuine iconoclasm.

Before beginning an analysis of this latest installment’s subject, one should like to address the most recent maneuvers of those employed by the corporately owned MSM.

The alacrity with which those belonging to the so-called community of alternative researchers – or ‘conspiracy theorists’ as the great majority prefer to pejoratively label them – reacted with nearly unanimous uproar in seemingly lending unsubstantiated credence to a pair of recent stories reported by the MSM.

The first of these, involved the alleged trial and sentencing of celebrity social agitator and disgraced television actor Jussie Smollett.

Secondarily, there was the recent announcement of a paradigm changing scientific discovery.

Reportedly, a Russian researcher and scientist – based on alleged research conducted over a period of two decades – has officially announced that earth’s atmosphere extends beyond its own orbiting celestial moon.

The former story involving Smollett, on its face, is remarkable, in that so many in the so-called alternative research community, although uniformly invested into the idea of fake news distributed by any mainstream source as axiomatic, seem to have also accepted the idea as legitimate the actor’s case has been fairly adjudicated and that Smollett, by conspicuous virtue of a public trial by jury, has been judged, sentenced and will be summarily sent to prison.

If you believe that, folks, then I have some moon rocks to sell to you.

Remember folks, despite whatever discernable differences seem to comparatively exist, the methods of operation, whether by those employed by MSM and those prominent figures in the alternative media, are one and the same, in that their primary function is to disinform, propagandize, and to eventually polarize.

What has not been taken into account when considering the Jussie Smollett imbroglio, is that Smollett’s “trial” was prefabricated as part and parcel of an entire masonic theatrical ruse, designed – through psychological manipulation – to induce appeasement among a significant percentage of those perceived to be dissenters in the alternative research community.

Moreover, this story was fabricated from the beginning to convince the majority in the West and America that Smollett – like Lee Harvey Oswald, the alleged perpetrator of the fake JFK assassination – acted of his own volition and, that he was, as it were, the lone gunman.

In truth, Smollett played the role of a media stooge, a masonic initiate, merely another actor scripted to take the fall for a sinister and conspiratorial psychological operation involving law enforcement, the judicial system, the Chicago mayor’s office, and of course, corporate television executives. Smollett’s willing participation came about, likely in exchange for greater material gain, career contractual leverage, and promotion within the ranks of the masonic brotherhood cult.

That folks, is the real story, a truly alternative perspective that assuredly, will never be examined by most alternative researchers or certainly anyone employed by the corporately owned MSM; those willing conspirators cognizant of the fact they must never dare – from the sheer fear of consequential career and personal ruin – to break from the barricaded reservation presided over by their executive masters, but rather sheepishly adhere to the scripted and accepted narratives.

No folks, rather than being punished, behind the scenes, the likes of Jussie Smollett is being rewarded by his masonic masters for having well-played his role in a meticulously scripted and Shakespearean inspired stage play.

Concerning the latter issue – the recent publication of the latest scientific claims that the earth’s atmosphere extends beyond the planet’s orbiting moon – it strikes one as ironic the number of alternative researchers, who despite an inherent distrust of any information publicized by mainstream sources, and seemingly without prior and thorough verification of the source material, have thoroughly embraced the news as authentic.

What raises skepticism – at least upon first glance from all known reports derived from the source article and the official announcement made by ESA (European Space Agency) – is that the details of the announcement that earth’s moon flies through what has been termed the “geocorona” are inundated with numerological and masonic markers.

Added to this new development, there are still significant questions that no one seems to have addressed.

What does this entail for the existence of the Van Allen belt and, contrary to what scientists have heretofore claimed, does this mean “outer space” can no longer be described or defined as a vacuum?

Case in point – this excerpt from an article posted at https://earthsky.org//earth/earth-atmosphere-geocorona-extends-beyond-moon:

“The European Space Agency (ESA) said on February 20, 2019 (February=2nd month=twin masonic pillars of Boaz and Jachin/2019=777, intelligence joker code), that 20-year-old data (masonic pillars) from the space-based SOHO observatory has revealed an amazing fact about the earth. The data have shown that the outermost part of the Earth’s atmosphere – called its geocorona – extends beyond the moon’s orbit.”

The article then goes on attempting to explain the nature of this “geocorona” and that NASA’s 16 (7/Kabbalah Zayin/the hook or mind weapon) Apollo astronauts who journeyed to the moon between 1969 and 1972 (3 years=EE/33) did not detect its presence while on the lunar surface:

“It extends nearly twice (masonic pillars) as far as the moon’s orbit, nearly 400,000 miles (630,000 km) {9=6/occult mirrored reflection/33/high-degree Scottish Rite Freemasonry), or 50 miles (2 3’s/33) times Earth’s own diameter. Igor Baliukin of Russia’s Space Research Institute led this research. He commented in a statement:

‘The moon flies through Earth’s orbit.’

SOHO stands for Solar and Heliospheric Observatory. The mission was launched in 1995 as a joint project by ESA and NASA (sums to 666 in English Reverse Ordinal gematria), with a projected two-year lifespan (masonic pillars of Boaz and Jachin). Now, 24 years later (6/33), the craft is still in space and still studying the sun and sun-Earth environment. It orbits the L-1 (13/summit of masonic pyramid) point in the Earth-sun system.”

Regarding NASA’s 16 Apollo “astronauts” and their non-detection of this “geocorona” during their missions to the moon, Jean-Loup Bertaux, former principal investigator of SWAN (SOHO’s instrument detected and collected geocorona data) and co-author of Balkiukin’s paper, had this to say:

“At the time, the astronauts on the lunar surface did not know that they were actually embedded in the outskirts of the geocorona.”

Really folks – after six alleged missions to the moon?

It should be duly noted, that according to ResearchGate.net, Baliukin is designated as a “junior researcher” at Space Research Institute’s Department of Planets Physics and Solar Systems Small Bodies. Added to that, if one peruses Baliukin’s profile at ResearchGate.net, he appears, in an identifying profile photograph, to be not much older than the entire span of chronology during which this research was alleged to have been carried out.

These facts only stimulate further skepticism, and rather than hastily lending credence to the findings of a junior researcher lacking a solid track record and with only three peer reviewed papers to his credit, one think’s it is wise to remain skeptical, and that further examination is necessary until greater corroborative information avails itself.

In truth, “scientists” are no closer to defining the reality of the universe now in the first quarter of the 21st century, than they were centuries ago. Or perhaps – and one thoroughly suspects – they have known and do know, but they’re not telling, chiefly because there are ulterior motivations at play. One suspects, the paradigmatic theorizations of scientific observation or “science” have always been closely wedded, in one way or another, to the dictates and necessities of the prevailing political and social agendas of the thirteen, ruling elite Jesuit families.

And now, with that out of the way, we may finally progress to the subject at hand.

“OUTLAW” WILLIE

For those not familiar with the entertainment career of Willie Hugh Nelson (sums to 149 in English Ordinal gematria=14/77/twin lightning charges of Lucifer/angelic transformation), born April 29, 1933 (reduces to 31/13/occult mirrored reversal/summit of masonic pyramid), the renowned American singer/songwriter, actor and activist rose to prominence in 1973 (3 7’s/777/19/SUN #/object of Templar/Jesuit/Masonic worship) with the release of the critically and popularly acclaimed “Shotgun Willie” (sums to 174/12/21/777 in English Ordinal gematria/Full Reduction/66/12/21/777/3/EE=33).

Two years later, Nelson went on to release “Red Headed Stranger” (sums to 156/12/21/777 in English Ordinal gematria/Full Reduction=3/EE=33) and still later in 1978 (25/7/Kabbalah Zayin, the hook or mind weapon), the album entitled “Stardust” (sums to 122 or 5/2 3’s/33), making him the undisputed king of what was termed “outlaw” country, a subgenre of popular country and western music, the emanation of which reportedly developed in reaction to what were perceived by Nelson and others in Nashville – the American music industry’s capital of country and western music – as the restrictive creative parameters set forth by most of the industry’s more conservatively minded record producers during the era of the late 1960’s and early 1970’s.

Perhaps the first indicators and prima facie evidence that Mister Nelson (LEN=31/occult mirrored reversal/13/summit of masonic pyramid/SON=48/12/21/777/intelligence joker code) may in fact exist as a manufactured pop culture character are some of the limited photographs available and allegedly taken when Nelson was still in his youth, all of which appear to be ill-conceived paste-up and tip-in jobs, of the type one would expect to be produced from underpaid and low-level intelligence employees toiling in obscurity within the confines of some claustrophobic cubicle located in the basement at Langley, Virginia.

Some of these examples are displayed immediately below, the second example of which appears to be the most egregiously ill-conceived.

Willie Nelson as a young man:

https://goo.gl/images/LkJgZW

https://goo.gl/images/ZZQfjk

The second image, an alleged photograph of Willie Nelson in a football uniform, is captioned “left halfback” which sums in English Ordinal gematria to 87, and which when reduced equals 6 (33/high-degree Scottish Rite Freemasonry). Like the all-American pastime of baseball, football was initially organized by those who were freemasons, and the professional ranks of the sport are still today controlled by the Templar/Jesuit/Masonic triumvirate.

But this is not surprising that such faux images would be left out in plain sight for those with the requisite discernment to examine, for the high-level masonic brotherhood, after all, speaks in the language of silence, an exotic lingua franca consisting of mere signs and symbols.

Nelson’s biographies go on to claim that during America’s Great Depression – an American economic catastrophe belonging to the early portion of the 20th century and  repeatedly touted by historical scholars and rhapsodized by literary figures of the time period alike – that young Willie was reared by his grandparents, of which little or nothing by way of genealogical or biographical record is known or seems to have been made available for public scrutiny.

It is further claimed, Nelson wrote his first song at the age of seven (Kabbalah Zayin/the hook, mind weapon), and joined his first band at the tender age of ten. While in high school – that is, when he wasn’t starring on the schoolboy gridiron – Nelson toured locally with a Polka group (Bohemian Polka) as their lead guitarist and singer.

Polka folks?

Upon graduation from high school in 1950 (24/6/33) Nelson joined the Air Force. Yes folks, once again – as we’ve observed so often in past installments – there exists a direct connection between the military and the entertainment industry.

However, it is claimed Nelson was soon discharged from the Air Force due to problems with his back.

Putting this into historical context, 1950 marked the beginning of America’s entrance into the Korean civil conflict, and unless Nelson was thoroughly incapacitated, he would have most likely gone on to serve out his contracted term, if not drafted into further service as the conflict expanded until the cessation of hostilities in 1953.

Most likely, this detail involving military service is evidence of yet another canard, of the sort observed whenever the biographical details of celebrity figures in the entertainment industry are scrutinized, exposing their superficial fraudulence.

We have seen this sort of detail before involving other stars of the music industry, namely the “late” rock guitar guru Jimi Hendrix AKA legendary Hollywood actor Morgan Freeman, who before rising to the heights of rock stardom, also served in the US military with the Army paratroopers during the era of the early 1960’s but due to an “injury” while serving with his paratrooper unit was summarily discharged, and during a time when America was entering the Vietnam conflict in Southeast Asia (SEE: Music industry monkeys pull cheap tricks). 

After washing out of the Air Force, Nelson entered Baylor University, but it is claimed that due to his increasing success in the music business, he opted to leave after attending classes for just two years (twin masonic pillars of Boaz and Jachin). Nelson then worked at a spate of jobs as a disc-jockey at various radio stations in Texas while also working gigs in local clubs or as they were termed during this era, “honky-tonks”.

From there, Nelson’s biographical narrative informs he moved to Vancouver, Washington, where he continued to work in local clubs and at radio stations in both Vancouver and Portland, Oregon, as well composing original songs. It should be mentioned that the city of Portland, Oregon, like the state of Texas, has historically served as a hot-bed of intelligence activity and recruitment for prospective agents.

It was during this era, just before the beginning of the 1960’s, when Nelson signed his first professional recording contract with D records, a small independent label founded by Pappy Daily, and which for a time in the early 1960’s, featured such country and western stars as George Strait. While contractually bound to D records, it is claimed Nelson composed and performed songs which became country and western standards, including “Funny How Time Slips Away” (sums to 297/18/666 in English Ordinal gematria/108 in Reverse Full Reduction/9/6/33), “Hello Walls” (119 in English Ordinal gematria/11/masonic pillars of Boaz and Jachin), “Pretty Paper” (Sums to 160 in English Ordinal gematria/7/Kabbalah Zayin, the hook or mind weapon), and “Crazy” (sums to 73 in English Ordinal gematria/occult mirrored reversal/3 7’s/777 joker code).

It should be noted, the latter song credited as Nelson’s composition was also recorded by another country and western star, Patsy Kline, who it is claimed later perished in a plane crash. Of course, the plane crash was a hoax, and loyal readers will perhaps recall that the character of “Kline” later appeared as a key participant in the JFK assassination hoax, starring as the wife of the alleged assassin, Lee Harvey Oswald (SEE: What really happened to JFK assassin Oswald? (Part III)

In 1960, Nelson moved to Nashville, Tennessee, to not only sign a lucrative publishing contract, but to join country and western star Ray Price’s touring act as a bassist. Following his stint with Price in 1964, Nelson singed a recording contract with RCA Victor and joined the Grand Ole Opry in 1965. After recording a string of mid-level Top 40 hits, it is claimed Nelson decided to briefly retire and moved to a residence in Austin, Texas.

Stimulated however by the growing music scene in Austin, Nelson’s biographies claim he was then drawn out of retirement to record the three seminal albums which established and cemented his reputation as the country and western genre’s reigning “outlaw”.

As one has clearly observed, several narrative aspects of Nelson’s official biographical accounts – from dates, his stage moniker, to even song titles, in addition to Nelson’s curious connection to another country and western star alleged to have “died” but who later turned up as an actor in the Kennedy assassination psychological operation – have been deliberately marked with numerological coding and masonic derived symbols.

But there are additional aspects of Nelson’s biographical background that may give us further pause.

For example, genealogical information relating to his family background proved remarkably scant, as well documentation in the way of early photographs taken during his youth or for that matter, video or film documentation of his earliest live performances before the era of the mid-1960’s and early 1970’s.

The images that have been found of Nelson in his early youth – a pair of which are found displayed earlier in this installment – appear to have been manufactured with methods well-comparable to those utilized by intelligence agencies, methods of photographic manufacturing or doctoring observed before with other stars of stage and screen who like Nelson, went on to eclipse celebrity or legendary status in the entertainment, music and Hollywood film industries.

JESUIT RULED VATICAN/CROWN TEMPLE’S IRS COMES TO COLLECT TRIBUTE

In 1990, after another successful hit-making streak during the MTV era of the 1980’s while working with other country and western stars such as Johnny Cash (SEE: The “Man in Black” cashes in with Motorhead) and Kris Kristofferson in “The Highwayman” (sums to 146 in English Ordinal gematria/Full Reduction=11/masonic pillars of Boaz and Jachin/7 in Reverse Ordinal/Kabbalah Zayin, the hook or mind weapon), and becoming involved as an activist with NORML (National Organization for the Reform of Marihuana Laws/a CIA front) Nelson’s official biographies inform us his financial assets were promptly seized by the IRS, claiming the music star owed 32 million in back taxes (2 3’s/33).

Thus, Nelson released a double album in 1992 (=21/777/joker code) entitled, The IRS Tapes: Who’ll Buy My Memories?, and while it is claimed the proceeds from sales, as well the auction of several of his assets, completely cleared the music star’s debt, it is more likely, the entire affair was yet another well-publicized public imbroglio staged by Nelson’s Templar/Jesuit/Masonic masters, as both a tribute to those ultimately responsible on behalf of the thirteen ruling elite families for positioning Nelson’s character on the hallowed pedestal of fame and fortune, and to simply bilk additional profits from those throngs of naïve and star struck fans emotionally invested into the fabricated legend of Nelson the outlaw’s persona and image.

As everyone shall soon observe, such blatant biographical anomalies have been preconceived as a deliberate gambit when one considers the following confirmed revelation – through ear biometrics and facial recognition analysis – of Nelson’s Hollywood host actor, one who has portrayed several other renowned show business personalities, and one whose family, possesses not only genealogical relations to an ancient European royal bloodline but to those of the thirteen, ruling elite Jesuit families. Indeed, Nelson’s host actor, David Geffen AKA Sonny Bono, David Carradine, Charles Manson etc. etc., has always been steeped very deeply in the post-modern phenomenon we have come to know as the actor-based reality.

KING DAVID

Loyal readers will certainly recall the Hollywood mogul featured in the following video:

 

David Geffen:

https://goo.gl/images/fzfRKe

https://goo.gl/images/1SwDuj

https://goo.gl/images/evmu8w

Willie Nelson:

https://goo.gl/images/3yH4yQ

https://goo.gl/images/eSPWJ3

https://goo.gl/images/1K5KHz

As observed, makeup, wigs, wardrobe, and generous applications of facial stippling have been utilized to greatly modify the host actor’s appearance in creating the legendary myth of country and western “outlaw” Willie Nelson.

Now however, it appears the legend of Shotgun Willie has gone down in infamy and in flames.

Though Geffen is CEO and proprietor – along with Jeffery Katzenberg – of Hollywood’s DreamWorks studios, Geffen’s father is Barry Diller AKA Austro-German Prince, Eduard von Furstenberg, who for decades, in tandem with his wife, Diane von Furstenberg AKA Barbara Walters, has controlled Hollywood with an iron fist.

Therefore certainly, it is rather a simple matter to deduce, with control over nearly unlimited financial resources as well control over the vast resources of America’s and the West’s media/industrial/military/entertainment complex, how it is Geffen’s family could create and maintain the fabricated ruse of a legendary music star such as Willlie Nelson for so long.

But wait folks, there’s more.

Ear biometrics and facial recognition analysis also reveal that Geffen is the host actor behind the role of TMZ executive, Harvey Levin:

Harvey Levin:

https://goo.gl/images/U1inMf

https://goo.gl/images/8qRv1W

https://goo.gl/images/js9B67

On a final note, it should be accentuated that Geffen’s aforementioned tabloid oriented television network, TMZ, is heavily involved in promoting the US corporate government’s racial divide propaganda. Is it any coincidence then, Geffen portrayed the role of Charles Manson, a 1960’s counter-culture character who espoused the concept of a race war or as he termed it – “Helter Skelter”?

One should think not.

Therefore, it should be no profound deduction or to ultimately conclude that the ancient European bloodline of the House of von Furstenberg is heavily invested in not only the promotion of the destabilization of the West and of America, but heavily invested in the implementation of the social and political propaganda correlating with the UN’s Agenda 21, “sustainable development”, and “climate change” programs on a global scale.

 

 

 

3 thoughts on “Shotgun Willie Goes Down in Flames

  1. Nice nostagic post newspell. Ilike Willie Nelson. He would make a fine outlaw in today’s political climate. MSM is a wide coverage shedding light on Oswald and the. JFK assination. Well covered Newspell.

    Like

    1. You won’t want to miss what is coming up on Newsspell very soon – and it shall involve not only Nelson’s host actor, David Geffen, but none other than everyone’s favorite FAB FOUR from Liverpool!

      Like

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