At present, the genuine nature of the philosophical battleground in the West, and specifically in America, is not political or social, rather, it is one of a moral nature.
The genuine combative struggle is not between the false political dialectic of left versus right or between proto-Marxist Democrats and so-called alternative-right conservatives.
For these battles are merely superficial, serving as disorienting smokescreens, mirrored slaughterhouses of dissociation to conceal the scope of a much grander philosophical struggle.
The survival of America, and indeed the West, stands on the precipice between the crippling bankruptcy of relativist moral degradation and the evanescent vigor of objective truth.
To a growing majority, it is becoming obvious the idea of representative “democracy”, both in America and in the West, represents a cruel and bogus sham.
Both those “elected” to public office, and the alleged dynastic families to which they belong are fabricated images and fraudulent personas designed to distract, hoodwink and to covertly deceive.
Even the entire “democratic” political construct, those three branches of “government” everyone has learned of through the American public school system, of executive, legislative, and judicial, are merely demonstrations of tax payer funded theatrical exercises.
The Clintons, like the Kennedy, Bush, and Nixon clans, are Hollywood fabricated political dynasties, meticulously conceived not just to only direct the conscious perceptions of the mass general public, but created to establish historical myths, and to make a profit from the sale of books, movies, and both television documentaries and online videos that in turn, generate even more substantial profits from the sale of advertising.
The high-profile public character known as Chelsea Clinton (CC=33) is portrayed by a Hollywood actress known to many for her role in a Hollywood blockbuster production, and in the recent past, she also starred as “Natalie Holloway” in a high-profile psychological operation staged with the cooperation of the corporate owned media. Continue reading “Chelsea Clinton’s Three-Ringed CGI Circus”