Squirrel Hill shooting: a security state infomercial?

Squirrel Hill shooting: a security state infomercial?

Loyal readers and regular visitors have by now no doubt recognized, that the MSM, when reporting on the latest government sponsored crisis simulation drill at Squirrel Hill synagogue, attempted to connect the event to other such prominent “live” exercises performed in the recent past.

No doubt too, everyone has noticed the prevalent social and political narratives that were sewn together into a neatly wrapped and smoothly distributed all-purpose propaganda package.

There was one characteristic which differentiated Squirrel Hill from other so-called “live” crisis drills, however.

More than anything, and rather than making even the most vague attempt to solemnly prove a violent shooting had taken place at Pittsburgh’s Squirrel Hill Synagogue, the MSM’s coverage seemed to resemble a corporate infomercial, advertising the virtues of the continued establishment of the US corporate security state.

And although it was merely implied by the various crisis actors contracted by Homeland Security, this infomercial stressed the need for specific and greater security measures, despite the fact a spokesperson for Homeland Security stated Squirrel Hill had been visited in March of 2018 by agents from her department to perform various “security assessments” and also to instruct the local participants for a scheduled “live” crisis drill simulation.

Meaning folks, Homeland Security is actually telling the public that this recently reported “live” shooting at Squirrel Hill Synagogue, like the alleged Kennedy assassination, was performed and filmed months before and only presented to the public as a current events news story when deemed expediently necessary by the official principals and perpetrators.

Upon perusing CNN’s on-scene coverage of this event, one happened to have noticed that one of the most renowned and award-winning Hollywood actors had been a participant, an actor who the author positively identified as having formerly portrayed the 36th (3 6’s/666) US president.
Continue reading “Squirrel Hill shooting: a security state infomercial?”

What really happened to JFK assassin Oswald? (Part II)

What really happened to JFK assassin Oswald? (Part II)

Upon making yet more startling discoveries having to do with the JFK assassination, one felt perhaps additional installments were necessary.

These new discoveries shall fully demonstrate, beyond shadow of doubt, the event known to American history as the JFK assassination was nothing more than a grand psychological operation executed in joint cooperation and on behalf of the ruling elite families by a major branch of the international intelligence octopus, CIA, army intelligence, and selected high-level masonic initiates of the American entertainment and music industries with royal European lineage.

Though it may seem inexplicable, perhaps even contradictory to what most have been conditioned to believe, sometimes the truth can be discovered from the most unlikely and unexpected of sources.

Oftentimes folks, Hollywood’s fantasy and fiction are utilized to conceal objective truth.

One only has to remain observant and attuned to what would have ordinarily remained hidden behind the veil of social and psychological programming and conditioning.

To break through to the other side, one must learn to read between the lines, as it were.

A reexamination of key scenes from Oliver Stone’s 1991 blockbuster Hollywood film production, JFK, has revealed fresh, significant discoveries, clues which most incredibly, were conspicuously left right out in the open but went unnoticed by the America public – until now, that is.

In fact, it has become abundantly clear Oliver Stone AKA Barry Diller AKA Prince Eduard von Furstenberg, in his efforts to produce a piece of epic cinema – though presented to the public in the guise of speculative fiction and rife with sinuous paths leading only to dead ends of misdirection, disinformation and melodramatic sensationalism – has perhaps wittingly provided the general public with a direct road map to the truth.

Considering director Stone’s (play on words through created pseudonym=masonic cornerstone) genuine identity, it is clear the criminal ruling elite’s, either out of arrogance or as a method of mocking the conditioned naivete of the general public, cannot help but leave their signatures or fingerprints behind as clues.

Also, while recently reexamining the characters of John F. Kennedy’s First Lady Jaclyn Onassis and, Oswald’s alleged Russian mistress Marina with fresh eyes, one has managed to unearth yet more stunning discoveries and the presence of host actors whose names will appear most familiar to loyal readers and regular visitors.

Stay tuned folks, for one believes plausible answers to the mysteries that have for so long been buried deep beneath the mainstream and accepted narrative of this most legendary historical event can now be revealed. Continue reading “What really happened to JFK assassin Oswald? (Part II)”

What really happened to JFK assassin Oswald?

What really happened to JFK assassin Oswald?

Most would think the answer to the question posed in this installment’s headline would be obvious.

“Well like duh, Mr. Newsspell,” one can hear skeptics collectively howl, “everyone in America saw Oswald get shot on TV by that Ruby feller from the nightclub!”

And indeed, so you may have thought that was the case.

But Jack Ruby’s brutal murder of Oswald, as one shall soon attempt to explain, was a masonic ritual, performed no less, on live television, symbolically signifying the metaphorical process of death and rebirth. And, as loyal readers are well-cognizant, those characters participating in the phenomenon known as the actor based reality have a penchant for such seemingly miraculous transformations.

Indeed, the whole of recorded history consists of such magical transformations, of host actors portraying the roles of historical characters who, though they may die, are resurrected to live out another life under yet another fabricated pseudonym.

If anything has resulted from one’s research, it is this: history is merely a grand stage play, transforming the illusion of the magical into the mass consciousness of material reality.

The story of the historical character known as Lee Harvey Oswald is instructive if not, in its own way, begrudgingly enchanting. For it seems only in America could a man, cast as the lone gunman and accused of assassinating a president, proceed to become a celebrated host of perhaps the most popular prime time television show of its era! Continue reading “What really happened to JFK assassin Oswald?”

The “Man in Black” cashes in with Motorhead

The “Man in Black” cashes in with Motorhead

Fans of rock and roll have long indulged in guilty pleasures.

And for several decades, the blistering heavy rock mayhem of Motorhead entertained rock music fans the world over. To many of those same rabid fans, the band Motorhead’s legendary, charismatic but irascible front man, Lemmy Kilmister, remained a living and symbolic totem to sex, drugs, and the reckless abandon of rock and roll rebellion.

Inevitably, all good things must pass, and though he may have appeared to be immortal despite his destructive and debased penchants for Tennessee whiskey, yielding women and amphetamines, the roaring rock and roll freight train known as Motorhead came to a sudden stop when Kilmister reportedly died on the 28th of December, 2015 (3 8’s/aces and eights=24/6/33/high-degree Scottish Rite Freemasonry/December=12/21/777 joker code).

With that brief numerological analysis, loyal readers have no doubt already well- surmised in which direction this installment is travelling. Yes folks, yet another legendary rock star has been identified as an artificially fabricated character created by the music industry, a profitable industry both owned and controlled by the ruling elite, thirteen Jesuit families.

On this occasion however, the true identity of Lemmy KIlmister’s host actor turned out to be quite surprising.

The legendary Kilmister was, in fact, portrayed by another even more legendary Hollywood figure, a mammoth star of prime time network television and a Hall of Fame Country and Western music star whose illustrious career tracks back to the era of the 1950’s, to Sam Phillips and Sun Records, the very recording label that launched the career of the King of Rock himself, Elvis Presley. Continue reading “The “Man in Black” cashes in with Motorhead”

NASA scam is tax payer black hole (Part X)

NASA scam is tax payer black hole (Part X)

NASA represents the gift that keeps on giving.

The latest debacle concerning the aborted joint US-Russian Soyuz mission to the orbital ISS exists as a prime case in point. The tortured explanations from so-called NASA officials, particularly from Canadian-NASA astronaut Chris Hadfield as to what specifically went wrong, exist as prime evidence to anyone with a pair of brain cells still functioning that something is indeed amiss.

Time and again, whenever one observes some of the numerous videos available from blatant apologists on You Tube concerning the general subject matter of NASA, one is struck with the rather distinct and overwhelming impression one has witnessed what can only be described as the most egregious brand of propaganda.

As for NASA’s vaunted high-level officials or celebrity mouthpieces, one cannot help but feel they’ve been confronted with evil hosts of the most shameless but well-trained professional prevaricators.

Of course folks, such persons belong to a very distinct personality type, those of the sort would stoop to any justification in maintaining the company line, no matter how ridiculous or implausible.

If what follows in this installment concerning America’s foremost space agency does not serve to give even the most hardcore apologists pause, then suffice to say, there exists no argument that could serve to cajole or convince, no matter how articulately expressed, that NASA is nothing more than a propaganda arm of the US corporation. Continue reading “NASA scam is tax payer black hole (Part X)”

Kavanaugh scandal: media sorcerers gaslight America (Part II)

Kavanaugh scandal: media sorcerers gaslight America (Part II)

Could it be, Christine Blasey-Ford is not who or what she appears to be?

Upon performing a secondary observation of the recent sexual imbroglio involving American supreme court justice nominee, Brett Kavanaugh, one has managed to have made an interesting discovery. It appears the deception perpetrated upon the American general public concerning this event is deeper and more extensive than one could have initially imagined.

Then again, what else is to be expected from the mainstream media sorcerers?

Time and again, deception has proved to be the MSM’s foremost trade.

In a world ultimately governed by the smooth and unimpeded transactions of global commerce, such grand deceptions have proved most profitable for the thirteen, ruling elite Jesuit families.

However, the public has been subjected to just this type of deception before.

Such was demonstrated to be the case with global boogeyman Osama bin-Laden (See: 9/11: terror’s symbolic black magic ritual (Part 1), a computer generated image portrayed by American comedian and television star Jerry Seinfeld. Soon thereafter, Seinfeld went on to portray America’s two-term, 44th president Barack Obama while disguised behind layers of CGI masking (44/destruction code).

While viewing additional footage culled from recent MSM coverage of the Kavanaugh SJC nomination hearings, one managed to identify yet another former renowned comedian portraying a high-profile public personality.

It appears, from all empirical evidence thus far gathered, the identical or similar deceptions utilized to create US president Obama and Frankenstein 9/11 terrorist Osama were also employed in the recent media scandal involving the accuser of SJC nominee Brett Kavanaugh, Christine Blasey-Ford.

Have they no shame, folks?
Continue reading “Kavanaugh scandal: media sorcerers gaslight America (Part II)”

A peek behind the curtain of OZ

A peek behind the curtain of OZ

From heavy metal pioneer to reality television star, rock’s “prince of darkness”, Ozzy Osbourne, has always been one of rock and pop music’s most legendary eccentrics.

Having enjoyed a stellar career’s notoriety spanning several decades, perhaps more than any other star in the history of the popular music recording industry, Osbourne’s exceedingly outlandish image has come to represent rebellion incarnate to his millions of adoring fans worldwide.

Though it is claimed Osbourne’s career has time and again been plagued by drug and alcohol abuse and other wild mishaps, he has not only managed to survive, but his unorthodox, platinum-selling career has managed to somehow flourish.

However, as with other stars of stage and screen, is there any credence still to be given to the wild stories one finds coloring Mr. Osbourne’s biographical history?

Despite the fact his millions of adoring fans are willing to adamantly testify to the truthfulness of the rock legend’s unprecedented exploits, can one still dare to question their veracity? Or, as loyal readers have so often observed concerning the biographies of other celebrity careers examined here at Newsspell, is there something truly awry with the man known as Ozzy?

Is Mr. Osbourne’s reputation as rock music’s celebrated “prince of darkness” well-deserved, or shall we proceed to yet discover another pathetic imposter concealed behind the curtain of Oz? Continue reading “A peek behind the curtain of OZ”