Shills happen to think they are so clever. One supposes any two-bit coward hidden by the protective shield of anonymity can attack with impunity then abscond behind the backs of their equally pusillanimous handlers. Should the target become provoked into retaliation however, they are accused of “bullying.”
Ironic, huh folks?
So it is with cowards hiding behind their thinly veiled facades of perceived respectability.
One knows who you are, and so do you.
Nevertheless – one shall proceed with the subject at hand.
When analyzed from a segmented perspective, it becomes readily apparent the LA Riots were planned to erupt after a crescendo of prior and linking events – of which the Rodney King incident played a significant part – had been successfully staged, performed and psychologically settled in the public mind. The music industry – as it so often does in the case of these psychological operations either through providing crisis acting talent or as a bolstering operational element – played a major role in fanning the incipient flames with its incessant marketing of what came to be known as “gangster rap.”
The next and final instalment of this series of posts will further examine the role of the music industry element in building racial tensions to an inevitable apex of apprehension that appeared to explode into violent revolution on the urban streets of Los Angeles in the Spring of 1991. For now, one shall begin an analysis of yet another staged event leading up to the grand televised denouement – the alleged murder of “Latasha Harlins.” Continue reading “LA Riots: Violent revolution or staged operation? (Part II)”